analog

In the past 2 years Acoustical Systems’ R&D dedicated a lot of energy, time, money and brain-storming in offering the unique sonic abilities of the AXIOM in a more affordable version.
To create an all-new superior 10″ tonearm design – which also should be easy to mount on all turntables thanks to the slightly reduced effective length.
They have succeeded.
Introducing … the AQUILAR  – the all-new 10” reference tonearm.
Immediate audible outperforming all other tonearms except the AXIOM.
the AQUILAR (origin from ancient latin “aquila” – the eagle) offers many of the prime choice and expensive materials, as well as most of the unique technical key solutions which made the AXIOM’s performance easily standing heads above all competition.

Analog tonearms in particular have always drawn Acoustical Systems prime interest among all components of the audio-chain.

In the past 20+ years Acoustical Systems have designed a good range of not-so-ordinary high-end analog front-end audio components.

Starting with the 440lbs bi-radial air-bearing and air-suspended APOLYT-turntable – continuing with the UNI-Protractor triangular alignment instrument, the UNI-P2S and the arché headshell.

However, Acoustical Systems driving goal was the all-out-assault on the analog tonearm design.

A dynamically full balanced pivot tonearm which finally takes into account all geometrical aspects, all the various inherent forces and combines all solutions in a most consequent way.

Thus the very best performance possible for any given cartridge is enabled.

the archon^© time-aligned moving coil phono cartridge is a new design.

Featuring an unique designed uni-body made from a solid block of Timet 1100 – an ultra-strength Titan-alloy. Internal liquid dampening at certain areas provides an unique energy transfer ability to conserve and bring to your ears even the finest and smallest details in sound. Thus enriching the sonic picture with rarely heard inner harmonics and ambiance nuances.

the archon^© provides a sonic picture which is live-like and tantalizing in its openness, vital detailed and rich in its harmonic structure. A very natural, colorful sound – with an outstanding reproduction of human voices and the most realistic timbre. Opening a soundstage which is wide and recreating excellent the recording venue – with organic placement and wide inner dynamics.

Allow us to introduce to you the arché-headshell – the true audiophile headshell design which sets an all new standard in versatility and sound quality. This new audiophile headshell will allow you to hear the sound really engraved in your records.

It’s unique technical features and solutions are all for only one purpose: to bring to your ears and senses the utmost musical experience in the best possible sonics.

Experience what a headshell can really do for the sound of an analog front-end. When you listen for maybe the first time to a perfect SRA-aligned audiophile cartridge in a headshell which does preserve all the tiny details and transfers every nuance of energy extracted from the stylus to really reach the phono stage and opens up the full musical spell which was recorded.

The  HELOX reflex clamp combines some of the most important functions and features arising around the tracking process.

The HELOX does so by offering new features and a sophisticated contruction unlike any other record clamp on the market.

This all-new SRA/VTA template received much praise and universal acclaim by all international reviewers seeing it at Munich High End show 2015.
– all loved the product and it’s total new and innovative approach.

The SMARTstylus template comes in an engraved, handy hard case.
It features a 2x and 5x card-shaped hand loupe and a removable acrylic crossbar for 100% stability in use and operation.

The SMARTstylus is the very first template allowing for setting ALL geometric parameters of the cartridge – azimuth, SRA and VTA !! – fast and accurate within minutes.

Precision engineering and classic design are embodied in the first turntable from AMG, the Viella V12. Introduced at the 2012 CES in Las Vegas, the V12 immediately caught the attention of the press, the industrial design community, and audiophiles. All machining is done in-house, combining the latest Computer Aided Design and CNC machines with “classic analog” tools, including custom lathes and drill presses. This assures the highest precision and value.

The Viella’s unique industrial design with its oval shape and cherry wood or black lacquer skirt houses many proprietary developments. These all have the specific function of lowering the vibrational noise floor. The platter bearing is self-contained in an oil bath with integral sub-platter flywheel and convex polished 18mm steel axle against a PFTE thrust pad, eliminating potential noise. The massive aluminum platter with an integral PVC record mat and decoupled spindle further isolates the stylus in the record groove. The in-house designed and hand-built Lorenzi brushless DC motor uses both a flywheel and high-mass stainless-steel machined pulley for speed stability and is decoupled from the thick aluminum plinth. The V12 includes touch capacitance speed select buttons that allow fine speed tuning, integral spirit level, outboard power supply, and easy adjustable leveling.

The AMG Viella 12 turntable has one of longest tenures of any product in The Absolute Sounds’ “50 Greatest Bargains in Ultra High End”.

Analog Manufaktur Germany’s Viella Forte turntable, introduced in 2019, is the “super” version of our Viella turntable. The AMG design team focused on mass, rigidity, and refinement to create the Forte, resulting in increased macro-dynamics, more inner detail, larger-scaled presentation, and greater effortlessness. Machined in our Bavarian factory, the Forte incorporates the same platter bearing design, decoupled spindle, Lorenzi hand-built brushless DC motor, visual form and footprint of our highly regarded Viella. Utilizing new materials and machining techniques, the Forte features a new plinth, platter, platter clamp, arm base, updated drive electronics, new power supply design and power supply housing.

The Giro G9 turntable brings AMG’s sonic and visual excellence to a larger audience. Conceived by AMG founder Werner Roeschlau, the Giro is brilliantly realized by managing director Julian Lorenzi. Sharing the key design elements of the highly regarded AMG Viella “V12”, the Giro “G9” is entirely manufactured in AMG’s Bavarian factory.

The Giro’s “double circle” plinth is machined from aircraft-grade aluminum and features both 33 and 45 RPM via electronic control. Both platter and bearing housing are CNC machined from POM, a high tech synthetic. The belt-driven platter uses the decoupled spindle design of the highly-acclaimed Viella V12 turntable and shares the high-mass stainless steel machined pulley of the V12, coupled to a precision Swiss-made DC motor. The platter bearing, a hydrodynamically lubricated radial 16mm axle with PFTE thrust pad and integral flywheel, is a scaled version from the Viella. The Giro uses the 9W2 9” tonearm with the identical, revolutionary bearing design of the 12J2, scaled for the arm length and the Giro’s smaller footprint.

A Scientific & Repeatable Method To Calibrate:

Speed, Wow & Flutter, Azimuth, VTA, VTF,

Anti-skating, Loading, Gain, Vibrations & Resonance Frequencies.

• 1 USA made Precision Caliberated Torque Driver
• 4 USA made, custom PTFE Teflon Washers
• 2 USA made Drive bits for Headshell Screw Sizes (Flat & Hex)

The AT-OC9XSH Dual Moving Coil cartridge with Shibata stylus is designed to provide outstanding channel separation. The Pure Copper by Ohno Continuous Casting (PCOCC) coils ensure pure audio transmission and are aligned in a reverse V-shaped formation to exert less pressure on the stylus, thereby minimizing distortion. Audio quality is further enhanced by a rigid aluminum body that reduces resonance, a neodymium magnet and premium permendur yoke that increase the magnetic energy, and the nude Shibata stylus on a boron cantilever that tracks the record groove with incredible accuracy, delivering rich, full-range audio and high transient response. The cartridge body has been pre-threaded, enabling it to be mounted to a headshell or integral tonearm with just two screws – no nuts required.

The VM520EB/H combo kit includes the VM520EB elliptical bonded dual moving magnet cartridge premounted on the AT-HS10BK universal 1/2″-mount headshell.

The VM520EB is part of the 500 Series in Audio-Technica’s new VM cartridge line – a line that harks back to A-T’s early days as a manufacturer primarily of high-end phono cartridges, while also incorporating today’s advanced technology. Like all VM cartridges, the VM520EB is equipped with dual magnets that are positioned to match the left and right channels in the stereo record groove for outstanding channel separation and extended frequency response. The cartridge’s 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Includes mounting hardware.

The AT-OC9XEB Dual Moving Coil cartridge with bonded elliptical stylus is designed to provide outstanding channel separation. The Pure Copper by Ohno Continuous Casting (PCOCC) coils ensure pure audio transmission and are aligned in a reverse V-shaped formation to exert less pressure on the stylus, thereby minimizing distortion. Audio quality is further enhanced by a rigid aluminum body that reduces resonance, a neodymium magnet and pure iron yoke that increase the magnetic energy, and the bonded elliptical stylus on an aluminum cantilever that accurately tracks the record groove. The cartridge body has been pre-threaded, enabling it to be mounted to a headshell or integral tonearm with just two screws – no nuts required.

The AT-ART1000 (“ART” for Audio-Technica Reference Transducer) is Audio-Technica’s new flagship phono cartridge, handmade in Japan. Born of the pursuit of audio excellence that has driven A-T for more than 50 years, the AT-ART1000 introduces an innovative, audiophile design heretofore unseen in mass-produced cartridges. The cartridge’s direct power system places the dual moving coil directly on top of the stylus tip, ensuring that the audio quality does not suffer the negative effects normally introduced by the cantilever’s length and material type. Having the coils move in such close proximity to the stylus tip allows the cartridge to vividly render even the most subtle sonic details and provide unsurpassed transient response.

Phono gain stages are rather un-glamorous. But that’s the point. This one trick pony simply accepts analog audio from your turntable’s cartridge and amplifies it to a level that your main preamplifier can understand. What makes the BP-2 MM so special is that it can take such a minuscule signal–2mV or so and amplify it with so little distortion and so little added noise. If it weren’t for the characteristic smoothness and organic sound of vinyl, you might swear you were listening to digital.

Maybe it’s upgrade time. Out with the MM cartridge, and in with the new high resolution MC model. The Bryston TF-2 is the perfect companion that will bridge the gap between your perfectly fine low-gain MM stage and your new low output cartridge. By providing either 20dB or 31dB of gain (your choice at time of order) without the use of any active circuitry, you can get just the boost you need with superb clarity and virtually no added distortion. The Bryston TF-2 is a top quality step-up-a difference you’ll hear right from the first listen.

How important is the power supply to audio equipment? After all, amplified audio is nothing more than modulated power from the wall that’s been rectified, filtered, and smoothed along the way. Bryston’s quest to make the perfect power supply has resulted in two models-the PS-3 and MPS-2. Each is an ideal DC power supply to attached equipment giving them smooth, clean, DC power to modulate with incoming audio. These are mandatory power supplies for some equipment we manufacture and are not intended for use with other gear.

Thirty years ago few people predicted that, not only would we still be listening to records in the 21st Century, we would still be pressing them too. For many listeners, the vinyl record is more than just a viable source – it’s the pre-eminent source of recorded music that reflects both the inherent qualities and character of analog sound, but also the fact that record replay has significantly upped its game in the face of ever-increasing competition from high-res digital sources. These days, serious record collectors and listeners wanting the best possible sound will seek out rare original pressings, appreciate the virtues of mono (as opposed to many stereo) releases and purchase their discs, new and used, from all over the world.

Likewise, the once simple process of playing those discs can achieve levels of sophistication and record-by-record optimization we never dreamed of, back when the vinyl LP was the only high-quality format.

At Andromeda’s core is a phono EQ circuit engineered by John Curl, for decades famed as the world’s best phono preamp designer. We combined this musically refined circuit with a technically refined output stage based on the fully balanced Line Stage Gain Modules found in all of our award-winning line stage preamps. We build these circuits using FETs selected specifically for their outstanding, ultra-low-noise performance.

Andromeda’s power supply is one of the best ever used in a phono preamp. We build it into a completely separate chassis which, like the preamp section, is constructed using thick, machined aluminum panels to minimize interference. Inside the supply are individual R-core audio-grade transformers assigned to the left and right channels, plus an EI-type transformer to power Andromeda’s control circuits.

Increasingly, vinyl enthusiasts are exploring a wider variety of cartridges – and also experimenting by going beyond the cartridge manufacturers recommended settings. For these adventurous audiophiles, Andromeda will be a godsend.

A dynamic balance type tone arm is synonymous with Isamu Ikeda. The material of the main part is hybridized, and the spherical center block thoroughly eliminates external influences.
By increasing the maturity of its expressiveness, it has become a product that maximizes the performance of not only the IKEDA9 series but also various cartridges.

A dynamic balance type tone arm is synonymous with Isamu Ikeda. The material of the main part is hybridized, and the spherical center block thoroughly eliminates external influences.
By increasing the maturity of its expressiveness, it has become a product that can maximize the performance of not only the IKEDA9 series but also various cartridges.

IKEDA 9 series entry model in pursuit of ease of use.

The stylus tip has an oval shape that has been used in successive IKEDA cartridges. The body parts and power generation mechanism, which are the key to sound quality, adopt the same structure and processing as the upper model, and produce a well-balanced and energetic reproduced sound.

Standard model that realizes playback without extra coloring.
The body parts are precision machined from aluminum alloy. The power generation mechanism is securely fixed to prevent resonance that causes muddy sound. The stylus tip adopts a line contact shape to bring out the charm of the music itself contained in the record.

The name of the new cartridge is “魁 KAI” in Japanese which means 1) Pioneer 2) Forerunner 3) Herald 4) Leader 5) The first star of the Big Dipper/The Great Bear.　This new flagship cartridge will be deserved to be named as “KAI” once you hear the sound.

The DPMC is Jadis’ entry level, hand-crafted MM/MC phono preamplifier. With select point-to-point wiring, 66dB of gain and a precision volume control, optimal cartridge matching opens the window into vinyl.

With the addition of an outboard power supply, the JP 30 MC MkIII offers a significant step up in sonic performance from the JPL. The outboard power supply reduces noise further allowing the delicate musical signal to come through in all its glory so you’ll hear tonal shades, delicate syncopations and musical expression like never before.
For vinyl lovers, the new JP30MC MkIII includes a first-rate phono stage and incorporates several improvements over previous versions. The moving coil phono stage now utilizes Lundhal step up transformers for simplicity of cartridge loading and improved signal purity. Additional upgrades include tube regulation of the outboard power supply, double-sided heavy copper trace circuit boards and custom output coupling capacitors built to Jadis’ rigid specifications.

For many, their Koetsu journey starts with the Black Goldline. While it is the most affordable Koetsu, it doesn’t sacrifice what makes a Koetsu special. The Black Goldline uses many of the same parts as the higher end models and the result is effortless musicality and magic.

“From the clarinets in the opening to the deeply textured final chord of the first movement, the Koetsu’s performance was impossible to ignore: This wasn’t just pretty sound in place of the music but sound as a part of the music.”                                                     Art Dudley, Stereophile

The Koetsu Rosewood is a cornerstone of high-performance analog playback history. By carefully selecting ultra high purity materials and aging parts to perform optimally, Sugano-san formed a cartridge that recreates real breathing music extracted from the grooves of your record collection.

The Rosewood Signature uses the most tightly matched coil and core sets offering more precise focus and a larger soundstage than the Rosewood Standard.

The Japanese art of Urushi is a tradition dating back 10,000 years. This natural lacquer is sourced from the caustic sap of the indigenous Urushi trees. The Urushi is applied by the hands of select Japanese artisans. Once the lacquer cures it hardens around the natural rosewood body changing its resonant frequency.

All Koetsu Urushi models use silver cladded ultra-high purity copper coils. This process involves a silver sheath being slowly drawn over the copper.

Many say the Urushi body Koetsus offer an even more exciting sonic signature compared to the standard Rosewood models.

The pinnacle of cartridge design can be found in a Koetsu stone body. The body is machined from a block of high quality stone. Each block is carefully selected for natural grain and polished to a very fine finish.

Internally, only the most tightly matched silver sheathed copper coils and cores are used. Rare platinum magnets allow the stone body cartridges to fully create the ethereal sound on which Koetsu has earned its reputation.

“The end result is harmonious and cohesive, and the music unfolds in a way that gives you more time to listen – more time to unravel the individual strands that form part of the whole.” Hi-Fi+

Designed to be the companion Phono amplifier of Integrated amplifier Overture and Pre-amplifier G-70, GE-1 gives the best out of analog playback with high definition and rich musical characters.
The newly developed phono amplifier circuitry is fueled by a gigantic power supply section. This special design draws the charms out of all recordings no matter matching with vacuum tube or solid state amplifier.
With intimate and crystal clear sound, GE-1 will definitely fill your audio enjoyment with ultimate pleasures.

Based on our silver wire application know-how compiled over years, Kondo applied all of their transformer winding skills and understanding of wire diameter versus sound characteristics. The new SFz is a result of full exploit of the excellent sound characteristic of pure (99.99%) silver.
Complete freshness which awakes the delicate power of music expression over a quiet space.
It is the ultimate pleasure for any analog lover.

Magnetic resistance is highly reduced by extra thickness of the yoke, so there is a large improvement over ordinary cartridge designs.

Moreover, through precision design of magnetic circuit and unique design in resonance countermeasures, music is released seamlessly from the pianissimo to the fortissimo accompanied with grand and noble stage. The long aged silver used further enhance the playback naturalness and appealing power.

Can be upgraded at any time to the full Sparta model, for $8250

Differs from other  tonearms by introducing several new and unique features.  The new zero-play bearing is configured on 4 points.

The heart of this new design is the unique 4-point bearing. Two points (which are similar to a uni-pivot bearing) allow and control vertical movements of the tonearm. The other set of two pointed bearings allow and control horizontal (lateral) movements of the tonearm.  All four points of the bearing have minimal friction and zero-play in all planes of movement, thus ensuring that the cartridge platform and the cartridge itself follow the grooves of an LP with extremely low friction and minimal vibrations.

Differs from other  tonearms by introducing several new and unique features.  The new zero-play bearing is configured on 4 points.

The heart of this new design is the unique 4-point bearing. Two points (which are similar to a uni-pivot bearing) allow and control vertical movements of the tonearm. The other set of two pointed bearings allow and control horizontal (lateral) movements of the tonearm.  All four points of the bearing have minimal friction and zero-play in all planes of movement, thus ensuring that the cartridge platform and the cartridge itself follow the grooves of an LP with extremely low friction and minimal vibrations.

Differs from other  tonearms by introducing several new and unique features.  The new zero-play bearing is configured on 4 points.

The heart of this new design is the unique 4-point bearing. Two points (which are similar to a uni-pivot bearing) allow and control vertical movements of the tonearm. The other set of two pointed bearings allow and control horizontal (lateral) movements of the tonearm.  All four points of the bearing have minimal friction and zero-play in all planes of movement, thus ensuring that the cartridge platform and the cartridge itself follow the grooves of an LP with extremely low friction and minimal vibrations.

This is a 9 inch tonearm with unipivot bearing design with a unique, rigid round headshell made from a solid aluminium block and a base of solid brass which control all vibration and facilitate stability of the tonearm as a whole. All parts of the arm are machined from blocks of solid metal, in order to provide damping and minimise resonance. The polished pivot point is sited in an oil well, which provides extremely low friction and bearing vibration. The bearing height is at record level for optimum tracking. The silicone damping controls resonance of the cartridge and also gives stability in azimuth direction.

While similar in construction to the Stogi, this tonearm incorporates a conical tube and the vertical bearings have highly damped brass housing. A conical tubeis machined from solid aluminum rod which has a built-in precise azimuth adjustment worm drive mechanism.

Tonearm geometry, bearing, wires and other parts are the same as Stogi and effective mass differs slightly.

Kuzma’s smallest turntable with a design approach normally found only in more expensive models. Its unique shape and construction of solid brass rods provide a rigid connection to platter, bearing and tonearm support. Black or Brass. Dust cover included.

A compact yet heavy turntable made from solid aluminum block with an internal electronic power supply. Drive is provided via a DC motor and a proprietary, non- flexible drive belt. The platter is a constrained sandwich design consisting of three layers (aluminum, acrylic, aluminum) to minimize vibration and maximize platter and lp damping. Black or silver with right hand armwing and armboard for Kuzma.

*shown in ‘double-wing’ configuration (optional)

This is constructed from two plates, each plate being made from a sandwich construction of two 10 mm aluminium plates, separated by an acrylic plate clamped together with pre-stressed, non-magnetic, stainless steel screws. The turntable chassis (top plate) is suspended by large springs submerged in silicone oil, with a low resonance of 2.2 Hz, which dampens movements of the springs themselves. The main base (bottom plate) is supported by three aluminium and stainless steel spikes. The top plate is easily levelled by four knobs. When this plate is lifted (for transport) the silicone suspension reservoirs are automatically sealed.

This is a modern turntable designed in a classic turntable style with the emphasis on providing the best possible record playback.

The turntable’s size allows even 12 inch tonearms to be mounted and covered with its massive acrylic dust cover on spring hinges . The dust cover is constructed not to pick up any vibration from loud music.

Differs from previous Stabi XL, XL2 and XL4 turntables by using a special DC motor, a machined plastic belt and a new power supply (PS DC), which gives a new, unique and uniformly precise drive to the platter. A new platter drive raises the turntable performance to a new level.

Kuzma  CAR cartridges   are made to our specifications by a Japanese company with over 50 years experience in this field.  The same approach, with regard to design and manufacture of cartridges housings   is used as  in other Kuzma products. A combination of brass and aluminium parts made by us gives rigid and inert support to the  signal generator,  allowing the diamond tip to extract musical information from the record grooves without distortion.

Kuzma  CAR cartridges   are made to our specifications by a Japanese company with over 50 years experience in this field.  The same approach, with regard to design and manufacture of cartridges housings   is used as  in other Kuzma products. A combination of brass and aluminium parts made by us gives rigid and inert support to the  signal generator,  allowing the diamond tip to extract musical information from the record grooves without distortion.

Take the first step into high performance vinyl playback. And close the door behind you, you won’t be turning back. Experience the iconic Sondek LP12 in an affordable package, powered by carefully selected Linn-engineered components.

Majik LP12 includes Linn’s latest sandwich-construction aluminium sub-chassis, patented single point Karousel bearing, and internal low noise power supply. Linn’s Krane tonearm and Adikt moving magnet cartridge complete the deck.

Connect directly to Majik DSM, with its built-in phono stage, for a simple introduction to both high performance vinyl and streaming.

Elegant design. Exceptional performance. A turntable to make you fall in love with your favourite music on vinyl all over again.

Akurate LP12 comes loaded with upgrades including a separate dedicated power supply, machined armboard, Krystal cartridge and Linn Akito tonearm.

Partner with the Uphorik dedicated external phono stage for best performance, or connect to the integrated phono stages in Akurate DSM or Selekt DSM.

Selekt LP12 is a turntable from which to live out your musical passion and, with the benefit of future upgrades, to continue to explore ever more of the music contained within the grooves of your record collection.

This elite Sondek LP12 package is decked out with precision-engineered components from the upper echelons of our range. It sits between Majik LP12, the gateway to high-fidelity vinyl playback, and Klimax LP12, the zero-compromise pinnacle of our engineering endeavour.

With new Klimax LP12, you’ll experience your favourite albums – both cherished classics and those freshly unwrapped – as if it were for the first time.

The latest iteration of Linn’s reference turntable, Klimax LP12, produces an even more musical, pitch-perfect performance.

This is thanks to their latest, hyper-accurate speed management technology, whisper-quiet power supply, and cutting-edge motor design; and also to the level of fidelity achieved following Linn’s extensive experiments in material science – culminating in the breakthrough that is their all-new flagship cartridge, the Ekstatic.

Supplied with Majik LP12, Krane is a high quality tonearm which, combined with the new Karousel bearing, significantly elevates the performance of the entry level deck and provides even greater value.

The new high performance tonearm features a static-balanced design and is hand assembled with high quality, precision aluminium and stainless steel components. It includes a polished Tungsten and Sapphire vertical bearing with dual ceramic horizontal bearing assembly, both of which are long-lasting and provide very low friction/rotational mass.

A range of adjustments make it easy to set up, including a laser etched scale for accurate and repeatable VTA adjustment, as well as an azimuth adjustment combined with a fixed offset angle to ensure perfect alignment of the cartridge and stylus. An adjustable headshell design ensures effective length is absolutely precise for proper cartridge alignment and performance.

The new Krane tonearm is designed for Linn effective length and offset angle to ensure complete congruity with all Linn cartridges and other related LP12 components and accessories.

Incorporating technologies developed for Linn’s class-leading Ekos SE, the Akito tonearm is what your vinyl collection deserves.

Precision bearings, accurate static tracking and precision-spring bias adjustment protect your cherished recordings and maximise your enjoyment of the music.

A strong die-cast headshell is bonded to the main arm tube using advanced adhesives and together they provide a stable platform to support a wide range of cartridges.

The Akito tonearm is the perfect partner for Linn’s Krystal moving coil or Adikt moving magnet cartridges.

With Arko, Linn have returned to fundamentals, by removing all bar the mission-critical elements of tonearm design, boiling these down to their essence, and then honing what was left to superlative standards. Perfectly poised and rigorously refined, Arko is effortful simplicity.

This tonearm features an ultra-stable gimbal platform which facilitates superb bearing concentricity and alignment. Its arm wand travels in space with minimum hindrance; the affixed cartridge bobs and moves with the warps and grooves of the record, with finesse and fluidity.

Special care and effort was taken to ensure that 7075-grade aluminium would be used exclusively throughout the arm wand assembly – from headshell to gimbal – with the resultant material synergy and coupling effectively banishing undesirable resonances away from the delicate generator, and out through the sub-chassis.

Ekos SE sets a new performance benchmark. Advanced materials have been carefully selected for their sound performance and low resonance properties. These minimise interference, resonance and microphony, meaning you hear every note from your vinyl collection in the way it was meant to be heard.

The arm tube is machined from titanium to reduce resonance, while a stainless steel bearing housing ensures precision of movement.

Whether you are listening to the first track of the day or have been spinning records for hours, the ultra-low friction bearings and temperature-compensated precision-springs ensure exceptional performance from the Ekos SE tonearm is maintained.

Each Ekos SE tonearm is precision-engineered to last and is hand-built to the highest quality standard to ensure you can continue to enjoy your vinyl collection for decades to come.

The Ekos SE tonearm is the perfect partner for any cartridge. Specify Kandid, Linn’s reference moving coil cartridge, for ultimate performance from your LP12 turntable.

Designed to retrieve an incredible level of musical detail from the groove of a record, Adikt uses an efficient and affordable moving magnet (MM) configuration. This makes it an ideal starting point for any quality vinyl playback system and its performance is more than a match for many expensive moving coil (MC) designs.

The Adikt cartridge features a rigid body and Gyger II replaceable stylus, both of which help to achieve a finely detailed and dynamic sound. It is easily mounted on a wide range of tonearms, including Linn’s Akito.

Adikt is fitted as standard to the Majik LP12.

Krystal uses the design principles of one of Linn’s leading moving coil cartridges, the Kandid to capture the minute changes in the record groove, letting you hear every musical detail.

Krystal features a similar approach to minimising mass as Kandid, using a nude design to give the cartridge less inertia so it can react more quickly to the changes in the groove. It also uses the triple-point mounting system for a solid connection to the tonearm headshell, while the aircraft grade 7075 aluminium chassis provides a lightweight, stiff and stable platform for the generator. Even the adhesive used on Krystal was painstakingly selected to provide the most rigid bond possible to avoid any dampening effects.

Whether you specify Krystal on your current turntable or buy it as part of an Akurate LP12, you’re guaranteed to enjoy a more musical performance from all your vinyl.

Kendo is the outcome of Linn’s engineers’ efforts to capitalise on the elements of Ekstatik which work so well; using their tried-and-true, trickle-down development methodology to produce a more affordable, high-performance cartridge which retains the same core design principles and acoustic fingerprint.

Kendo possesses a rigid, nickel-coated 7075-grade aluminium body. This specific grade of aluminium matches that of our Arko tonearm, for which Kendo was designed to be the perfect partner. This facilitates superb material synergy throughout the tonearm system, and effectively banishes unwanted resonances away from the delicate generator, along the arm, and out through the sub-chassis.

The first thing you’ll notice about Kandid is that it is nude – the generator is exposed. With no cartridge housing, potential sources of resonance are removed which results in purer, cleaner sound, making all your vinyl sound better than ever.

Linn have also kept the weight of the cartridge down by using a plastic front yoke screw rather than metal. As well as allowing the counterweight to be moved closer to the bearing point which gives a quicker reaction to changes in the vinyl, using a plastic screw eliminates any magnetic interference to the delicate coils in the cartridge.

Another notable innovation in Kandid is the angle of the mechanical body and the tracking angle of the cantilever which have also been moved from 23° to 20°. This means that when it’s placed under tracking force on the LP surface, the flux lines remain symmetrical, ensuring that mechanical forces on the coils and iron core remain equal in all directions, avoiding any deformation.

Kandid uses the finest nude diamond Line Contact stylus and benefits from a ceramic boron cantilever for ultra low mass and extremely high rigidity. The suspension mechanism supports hand-wound coils secured in a high-precision rigid assembly, terminated with gold contacts on flying leads for superb signal transmission. The coils in the Kandid also feature an extra winding to increase output.

In order for Linn to make their best cartridge ever, they needed to look further afield, and at more varied materials. They conducted extensive experiments; auditioning different materials and configurations for the body, inserts, cantilever, suspension, windings and leads. The result is Ekstatik – the new jewel in the crown of the Linn cartridge range.

Linn’s all-new, flagship cartridge, Ekstatik, sets a new bar for arm/cartridge synergy; its unique construction forges an harmonious synergy with Ekos SE; wicking away more unwanted resonances along the arm, and out through the sub-chassis.

In their search for ever better materials, Linn’s experiments led us to the implementation of aluminium-bronze inserts. Now a feature of Ekstatik, these inserts allow them to reap the sonic benefits they found this alloy to possess.

With a bespoke, honeycomb cut into the cartridge body, Linn have skeletonised Ekstatik so that overall mass is reduced to our preferred sweet spot of close to 7g.

A micro-ridge stylus on a sapphire cantilever makes for an extraordinarily responsive cartridge. The sapphire cantilever is far stiffer than boron or aluminium, resulting in less loss between the stylus and the generator.

The overall result is an agile, responsive cartridge with the added performance yielded from specifying these materials; masterfully matched in unique configurations.

Karousel, Linn’s new precision-engineered single-point bearing, offers smoother rotation and greater stability for even better sound from your Sondek LP12.

This innovative new take on our original bearing design has been made possible by technological developments in material science, machining capabilities and mechanical engineering expertise gained from almost half a century of designing and manufacturing the world’s best turntable.

That vital union between the platter, spindle, bearing and sub-chassis is now the strongest they have ever achieved. The substantial lock-nut fastening on the stainless steel housing increases rigidity at the critical point where bearing and sub-chassis come together.

Enhancements to the base of the bearing include a stronger housing for the thrust pad, and combined with a smaller, stiffer form improves the critical area that supports the platter rotation and mass, meaning your vinyl reproduction is more accurate and detailed than ever before.

Following the same design philosophy as Linn’s flagship Keel, the Kore sub-chassis and armboard is an essential upgrade step for anyone looking to improve their LP12 and bring it up to Akurate-level performance.

Designed for extra rigidity and removal of unwanted damping, the Kore sub-chassis is strengthened by a multi-layer, box construction of 1.5mm thick aluminium. Three layers are bonded together using a unique Linn-specified adhesive to form an incredibly stiff structure, while keeping the weight low.

The Kore armboard is precisely machined from solid aluminium and further strengthened with ribs on the underside to provide the ultimate rigidity. This is then bonded to the sub-chassis so that the assembly mirrors the valuable properties of a single piece; as the arm collar is bolted directly to the sub-chassis, the arm has a direct connection to the bearing.

Linn’s integrated sub-chassis, armboard and tonearm collar take your turntable to the next level of performance.

Machined from a solid piece of aluminium, Keel provides extremely rigid support to the tonearm and platter. Screws, fixings and joins between each component have been eliminated; removing virtually all vibration. All you will hear is your music.

Keel integrates seamlessly with the suspension system of every Sondek LP12 turntable. It has been engineered to maintain the same mass and centre of gravity as achieved with a separate sub-chassis, armboard and collar.

The Lingo has received a major upgrade to deliver even better sound from your vinyl. Ground-breaking technology derived from the extraordinary Radikal power supply has taken performance to the next level.

New Lingo incorporates a motor speed management system and uses digital processing technology to make the platter spin more accurately and more consistently. On top of that, it also auto-calibrates the motor when the Sondek LP12 is powered on to ensure this accuracy and consistency every time. That’s crucial for ensuring you can hear your music the way the artist intended as the slightest speed variation will affect the pitch. An inaccurate turntable is like an untuned musical instrument.

With on-board circuitry that fits inside the deck and a new external slimline power supply which can be easily concealed, this latest model is neater, more compact and cleverer than ever.

The source of the audio source, Lingo is the first improvement to make to your LP12, providing a clear upgrade from the internal Majik power supply and previous Lingo models.

Linn’s new, reference turntable power supply features hyper-accurate speed management technology; generating sustained, uniform rotation closer to 33⅓rpm than any turntable.

You’ll experience even more of your music, in perfect pitch, thanks to a digitally managed motor control, and the latest, precision-engineered motor technology. It’s this harmonious partnership of mechanical and electrical engineering which results in new Radikal’s peerless, hyper-accurate rotation.

The improved board design at the heart of new Radikal incorporates whisper-quiet power supply rails, coupled with the use of smaller, more modern components – yielding our all-time lowest noise floor. These quieter, regulated supply rails not only provide impeccably pure power to the motor, but have the added halo effect of making Linn’s Urika phono stages sound even better.

Radikal’s cutting-edge motor design generates negligible electromagnetic interference, effectively eliminating it as a source of distortion. To make things mechanically quieter than ever, an all-new acoustic housing decouples the motor from the deck more effectively. The motor itself features smaller, lower-noise components, making everything electrically quieter than ever too.

Linn’s new, reference turntable power supply features hyper-accurate speed management technology; generating sustained, uniform rotation closer to 33⅓rpm than any turntable.

You’ll experience even more of your music, in perfect pitch, thanks to a digitally managed motor control, and the latest, precision-engineered motor technology. It’s this harmonious partnership of mechanical and electrical engineering which results in new Radikal’s peerless, hyper-accurate rotation.

The improved board design at the heart of new Radikal incorporates whisper-quiet power supply rails, coupled with the use of smaller, more modern components – yielding our all-time lowest noise floor. These quieter, regulated supply rails not only provide impeccably pure power to the motor, but have the added halo effect of making Linn’s Urika phono stages sound even better.

Radikal’s cutting-edge motor design generates negligible electromagnetic interference, effectively eliminating it as a source of distortion. To make things mechanically quieter than ever, an all-new acoustic housing decouples the motor from the deck more effectively. The motor itself features smaller, lower-noise components, making everything electrically quieter than ever too.

This unique moving coil phono stage fits snugly inside the Sondek LP12 turntable and works with the Radikal motor control to deliver the best performance possible with an analogue pre-amplifier.

Urika delivers an impressive level of clarity and detail thanks to its location within the plinth itself which brings it as close as possible to the tonearm, minimising cable length and therefore signal loss and noise. Mounted on its own integrated Trampolin base board, the phono stage is also isolated from unwanted vibrations.

To ensure consistent and faithful reproduction of the music, Urika features a dual mono design that banishes any potential crosstalk.

Direct-coupled RCA and transformer-coupled XLR outputs allow you to choose the best connection option for your system and guarantee exceptional performance in all conditions.

Powered by Radikal, which also powers and controls the LP12’s top of the range DC motor, Urika is a transformative upgrade, letting you enjoy exceptional performance from your LP12 turntable.

Fine-tune your turntable system with the Uphorik phono stage to get more from your vinyl collection.

Sharing the same dual mono topology and fully screened differential input as with Urika, the Uphorik phono stage offers both versatility and exceptional performance.

The most flexible phono stage available, Uphorik features separate dedicated inputs and circuits for moving magnet (MM) and moving coil (MC) cartridges, and has a full range of adjustments which allows you to easily optimise its settings to any cartridge, should you wish to upgrade in the future.

Uphorik’s flexibility also extends to connections. With a choice of balanced or unbalanced outputs, and RCA or XLR inputs, Uphorik is guaranteed to always meet your requirements, no matter how the rest of your system evolves.

A vacuum tube amplifier design that performs vinyl playback as you desire.
The joy of analog reproduction is the indulgence of the harmonic density and tonal character of vinyl playback, faithfully reproducing sound vibration and resonance inscribed on analog records without interruption. The EQ-500 phono equalizer amplifier is a vacuum tube design for all stages to provide the ultimate experience in the expressive and colourful reproduction of music. Fine adjustment and switching functions that are easily accessible on the elegant front panel allow you to enjoy the real pleasure of analog reproduction. The debut of LUXMAN’s masterpiece phono equalizer amplifier, the EQ-500, brings a new dimension that offers an extensive menu of the finest details of analog reproduction allowing you to recreate that ideal sound from your memory.

PD-151. Preserving the fragile beauty of analog music reproduction.
Audiophiles love the warmth, organic texture and uncanny beauty of analog music reproduction.But that beauty is notoriously fragile. Even slight variations in platter speed can blur the musical pitch, placing the sound behind an unnatural veil. And when music lovers turn up the volume, the phono cartridge can pick up even subtle chassis vibration and resonance – distortions the cartridge cannot distinguish from the desired tracking of the record groove. At LUXMAN, we understand. And we built that understanding into the PD-151 analog player, a more accessible alternative to the highly regarded PD-171A / AL. From the 10 mm thick aluminum top plate to the high-torque motor, the ultra-wide drive belt and the 4.0 kg platter, every aspect of the PD-151 pursues just one purpose. To do full justice to the ineffable beauty of analog sound.

LUXMAN’s LMC-5 marks the return of moving coil phono cartridge production after a 40 year hiatus!
This latest effort boasts a cross-mounted iron core, with unique signal generating coil structures, allied to an efficient compact magnetic system. Record groove contact is achieved via a SHIBATA profile stylus mounted to an aluminum pipe cantilever enabling excellent tracing ability with low background noise.
In addition, the unique and sonically advantageous housing structure was achieved through research, repeated prototyping and attentive fine tuning. Luxman have developed the LMC-5 with confidence and appreciation for all who love vinyl playback and value its musicality.

While vinyl records played back with an MC cartridge can sound exceptionally good, it is a surprising fact that the design of conventional MCs restricts the sound quality that can be achieved from LPs.

The Delos also has a microridge stylus on a boron cantilever for outstanding tracking, a non-parallel solid machined metal body for low resonances, and 6-N high-purity copper coils and nude construction for greater clarity. The result is clearly improved sound quality, particularly resolution, tracking ability, dynamic range, transient impact and immediacy.

The Kleos is the lowest cost Lyra cartridge to feature the full fledged Ogura manufactured boron cantilever and coil system with Lyra original line-contact (3 x 70μm) stylus. This is similar to what is employed on even the most expensive Lyra models.

Lyra offers a unique combination of capable, advanced cartridge design by Jonathan Carr and complete handmade execution by the above mentioned individuals. Investing in a Lyra Kleos through an authorized retailer will offer you an unparallelled analog experience from your stereo microgroove vinyl records.

The Kleos SL is a special, built-to-order, version of Kleos for expert users with very high-gain, extra low noise phono stages, or alternatively a step-up transformer designed for phono cartridges of 2 – 3 ohms or less.

Most users (and phono stages) will benefit from the regular Kleos with much higher output and considerably more energy; resulting in a much better signal-to-noise ratio. If you are in doubt about which version of Kleos that will work best in your system, please go with the regular Kleos.

The Kleos SL may provide extra pure and pristine sound from an audio system that is optimized for a low-impedance, low-output cartridge. However, this may be accompanied with a lesser level of energy and power.

This is a special, built-to-order, mono version of Kleos for real mono playback of monaural/monophonic (mono) microgroove, vinyl records. It is recommended that the Kleos Mono is used with high-gain, low noise phono stages, or alternatively a step-up transformer designed for phono cartridges of 2 – 3 ohms or less.

On mono records, the vertical axis of the groove contains no musical information, but it will frequently have noise, in the form of groove damage and dirt. The Kleos Mono has therefore been designed to be completely insensitive to the vertical axis, which greatly improves the signal/noise ratio without any downside on monaural records.

Lyra again turns the analog world on its ear with the introduction of the Etna λ Lambda phono cartridge. Sharing its name with Sicily’s majestic Mount Etna, Etna λ Lambda the cartridge is an impressive monument in its own right, one that melds tried and true Lyra design tenets with designer Jonathan Carr’s very latest thinking on phono cartridges.

While Etna λ Lambda is second from the top in Lyra’s line, one listen will demonstrate that this cartridge’s performance would define the very top of any other cartridge line. Atlas has a very refined, elegant and voluptuous sound while Etna λ Lambda personality is more outgoing. We truly believe that choosing between these two exceptional performers will come down to one’s tastes and the system in which it will live. For many customers Etna λ Lambda will be ideal and become their preferred Lyra.

Etna λ Lambda SL was designed with a strong emphasis on engineering efficiency, so that its performance would be as far beyond the sum of its parts as possible. For this reason, although it shares some of its design philosophy with Atlas λ Lambda SL, the concepts are executed rather differently.

Etna λ Lambda SL employs a solid titanium core structure machined with non-parallel surfaces to inhibit internal reflections whenever possible, but unlike Atlas (and Titan i before it), this is mated to a slightly undersized, asymmetric, mirror-black anodized duralumin outer body that locks over the core like a very tightly-fitting jigsaw puzzle. The core and body are augmented with bronze and stainless-steel resonance control rods, then pressure-fit together into a pre-stressed, solid, void-free structure which is comprised of multiple materials and complex internal shapes. The constrained-layer nature of this construction dramatically reduces the resonant signature of each material and creates a far more neutral-sounding body structure than otherwise possible, while the high body stiffness benefits transients, dynamics and resolution.

This is a special, built-to-order, mono version of Etna λ Lambda for real mono playback of monaural/monophonic (mono) microgroove, vinyl records. It is recommended that the Etna λ Lambda Mono is used with high-gain, low noise phono stages, or alternatively a step-up transformer designed for phono cartridges of 2 – 3 ohms or less.

On mono records, the vertical axis of the groove contains no musical information, but it will frequently have noise, in the form of groove damage and dirt. The Etna λ Lambda Mono has therefore been designed to be completely insensitive to the vertical axis, which greatly improves the signal/noise ratio without any downside on monaural records.

The Atlas λ Lambda is Lyra’s new flagship phono cartridge. Why asymmetric? By literally misplacing the “barriers” to great sound that are present in every other cartridge today, a number of important performance benefits are realized.

The Atlas λ Lambda uses a body that is meticulously carved from a solid billet of titanium, through a process that involves both contact (for the exterior) and non-contact machining (for the interior body structures). By making most of the Atlas λ Lambda body surfaces non-parallel (avoiding dimensions that are multiples of other dimensions) and adding a pre-stressed phase-interference resonance-controlling system, resonances have been further inhibited.

We firmly believe that the Atlas λ Lambda represents an important step forward in LP playback.

The Atlas λ is Lyra’s new flagship phono cartridge. Why asymmetric? By literally misplacing the “barriers” to great sound that are present in every other cartridge today, a number of important performance benefits are realized.

First, different-shaped structures on the left and right sides of the cartridge body suppress the formation of standing waves within, resulting in a significant reduction of resonance-induced colorations. Second, the asymmetric construction offsets the front magnet carrier and its associated mounting system so that it is no longer in line with the cantilever assembly. This opens up a direct, solid path between the cantilever assembly and tonearm headshell so that vibrations from the cantilever can be quickly drained away once they have been converted into electrical signals, again suppressing induced resonances.

This is a special, built-to-order, mono version of Atlas for real mono playback of monaural/monophonic (mono) microgroove, vinyl records. It is recommended that the Atlas Mono is used with high-gain, low noise phono stages, or alternatively a step-up transformer designed for phono cartridges of 2 – 3 ohms or less.

On mono records, the vertical axis of the groove contains no musical information, but it will frequently have noise, in the form of groove damage and dirt. The Atlas Mono has therefore been designed to be completely insensitive to the vertical axis, which greatly improves the signal/noise ratio without any downside on monaural records.

Our finest phono preamplifier in the company’s 45-year history. All analog from input to output, this stunning addition to the Stellar line will bring new life to your vinyl in ways you never dreamt possible.
PS engineer Darren Myers wiped the tradition slate clean by hand-fashioning a new approach to capturing all the magic trapped in the grooves of our records. The results are breathtaking. Music that might once have been locked into the confines of our loudspeakers is suddenly free. Stellar phono features dual inputs that can support either a moving coil or moving magnet cartridge. Cartridge loading and gain options are easily adjusted from your listening position via the supplied remote control. Input to output, Stellar is a fully discrete FET design with extraordinarily low noise and high overload capabilities so even the wildest dynamics from the punchiest cartridges sail through Stellar with no limitations or compromise whatsoever. If you love vinyl you’ll love Stellar.

The Model 12A has been designed for those who would prefer to select their own unique combination of phono stage and cartridge for a more personalised listening experience. This introductory model benefits from the finest materials and craftsmanship found throughout the entire SME turntable and tonearm range. Every component part has been precision engineered in-house to the strictest tolerances to contribute to an outstanding musical performance.

Created as a companion and to compliment the Series V-12, the Model 30/12 precision turntable enjoys all of the features associated the Model 30/2 precision turntable. The differences are merely ones of scale. The suspension now provides 60 purpose moulded ‘O’ rings supporting the sub-chassis, which has been increased in thickness by some 16%, on one hundred and twenty strands of rubber. The main chassis has received similar attention but in this case the thickness has been increased by 19%. Small differences but necessary to afford the increased rigidity required to ensure acoustic neutrality.

A larger and more massive version of our well known Model 20/2. It will accept nine, ten and twelve-inch arms but is especially directed at the exciting Model 312S. This offers a performance some 27% better than a nine-inch arm in respect of angular error distortion. The wand and headshell are pressure die-cast in magnesium and are 27g lighter than they would be in aluminium.

Probably the stiffest and lightest twelve-inch arms ever made these dual problems are at last addressed and on listening, the benefits of minimal tracking error and harmonic distortion are clearly revealed. A turntable should address the problems of extraneous vibrations. These emanate from numerous sources including air and structural vibration from loudspeakers, groove modulation, stray electrical fields and mechanical imperfections in moving parts.

A larger and more massive version of our well known Model 20/2. It will accept nine, ten and twelve-inch arms but is especially directed at the exciting Model 312S. This offers a performance some 27% better than a nine-inch arm in respect of angular error distortion. The wand and headshell are pressure die-cast in magnesium and are 27g lighter than they would be in aluminium.
Probably the stiffest and lightest twelve-inch arms ever made these dual problems are at last addressed and on listening, the benefits of minimal tracking error and harmonic distortion are clearly revealed. A turntable should address the problems of extraneous vibrations. These emanate from numerous sources including air and structural vibration from loudspeakers, groove modulation, stray electrical fields and mechanical imperfections in moving parts.

The Model 15 could be described as “the ultimate in recovery vehicles”, allowing the cartridge to retrieve the last iota of recorded material whether digital or analogue, from the vinyl disc and approaching the ultimate in perfection. Receiving its inspiration from the superb Model 10 precision turntable, the Model 15 seeks to emulate the excellence of our Models 20/3  & 30/2 turntable whilst retaining the more compact footprint preferred by many of our enthusiasts.

The Model 15 has been designed with the same attention to detail combined with simplicity of operation that has come to be expected from all SME products. Its superb performance together with laid back styling make it a glamorous addition to your sound system that will astound and amaze listeners for many years to come.

The main spindle is 19 mm (3/4″) machined from high chrome tool steel, it is ground, super finished and supported in a sealed housing with individually fitted sintered bronze bearings of generous proportions needed to support the platter.

The Model 6 is a class leading integrated turntable delivering a unique sonic performance. Audio engineering excellence is achieved with technologically advanced new materials whilst maintaining the definitive craftsmanship that SME is famous for.

Primary features include a CNC machined chassis made from a unique polymer high density resin material providing high mass, small footprint and superb resonance absorption. Main bearing, spindle and drive pulleys are precision made to the same exact standards as all SME high-end turntables. A new generation highly sophisticated electronic speed control unit provides fine pitch speed adjustment within a wide band range.

The Model 6 is equipped with an improved version of the highly acclaimed SME M2-9 tonearm which is internally dampened with a unique single element balance system catering for cartridges weighing 5 to 12 grams and suitably designed for both MM and MC cartridges. The headshell is magnesium alloy for lightness and its ingenious design provides rigidity and allows azimuth correction.

Design and engineering excellence built by audio enthusiasts for audio enthusiasts.

“There are few equals to the Tenor Phono 1 at any price as the Tenor experience is nothing short of breathtaking! It has taken my entire audio system to a whole new level – that I thought would not be possible without changing most of my equipment. For that reason alone, the cost of the Tenor must be considered a true bargain. Perhaps audio’s “Law of Diminishing Return”s has been overcome by Tenor’s Michel Vanden Broeck’s “Laws of Physics”. One thing for certain, this unit is never leaving my house. I wrote the cheque!”

Richard H. Mak, Mono and Stereo

For those daunted by the idea of setting up a record player, many of which seem to arrive in kit form, the DG-1 is as close as you’re going to get to ‘plug and play’ in a high-end, high-performance record player, and yet packed with innovations. The DG-1 is our simplest record player, yet also our most highly-developed. Here’s why… When it came to building a new, easy-to-use, entry-level model for our record player range, we could have taken the easy route of simply replicating much of what we’ve already done in our flagship models, just using less expensive materials and components. But that would have been too easy and rather unsatisfactory – after all, we’re all about designing to a level of performance, not a price. So a complete re-imagining was the only approach to take.

Taking vinyl replay beyond what’s possible in this turntable class, Record Player MG-1 MkII Magic Groove includes and shares critical design elements of the SG1-player.

A superlative design, Record Player MG-1 MkII Magic Groove offers remarkable performance that’s bettered only by Vertere’s RG-1 Reference Groove and SG-1 Standard Groove. As with all Vertere turntables, every individual part is custom built, and has been created using the optimum materials and highest precision standards.

Bringing music to life in the home, Vertere’s Record Player SG-1 Super Groove can take you close to perfection in turntable performance.

Vertere’s Record Player SG-1 Super Groove is designed and built to exactly the same high standards as the RG-1 Reference Groove. As with RG-1, using the best possible materials and the highest standards of precision, every single component is specially engineered and custom built.

Re-create the live music experience with Record Player RG-1 Reference Groove, Vertere’s finest model and first choice among the world’s high-end turntables.

Record Player RG-1 Reference Groove embodies all Vertere’s unrivalled expertise in quality audio engineering, high-end hi-fi systems and turntables. Designed without compromise, every single component in the RG-1 is specially engineered and custom built, using the best possible materials and the highest standards of precision.

Benefitting enormously from the work done in developing the Reference Tonearm, the Vertere SG-1 MkII Tonearm provides unsurpassed performance in its class.
To achieve breath-taking musical performance, the Vertere SG-1 Tonearm utilises a combination of quality materials including roll-wrapped carbon-fibre, stainless steel, aluminium alloys and silicon nitride. Its unique bearing design and versatile anti-skate adjustment make it an ideal partner for any high-quality turntable.

Push the boundaries of analogue reproduction. The state-of-the-art Vertere Reference Tonearm transforms any high-end record playing system.
Every part of the Vertere Reference Tonearm has been individually designed and manufactured to overcome the shortcomings of existing tonearms. Each detail is meticulously engineered and contributes to the excellence of the whole. Performance is enhanced to a level of resolution, clarity, dynamics, timing and sheer power that is normally associated with live music.

The new 2 speed Revolution power supply for the LP-12 Unsatisfied with the performance of other internal power supplies on the market? The Revolution offers outstanding phase balance and extremely low output distortion. This internal unit rivals the best outboard supplies.

The unusual shape of the Unity has been designed using computer finite element modelling techniques

The VP Unity has main bearing and arm-board seats milled to be exactingly flat tolerance, guaranteeing perfect alignment of the stylus to the record groove.

The unique shape, with its non uniform cross section and carefully sculpted curves ensures a totally stiff structure that eliminates all ringing